The Brothers Bloom Poster Movie B 11x17 Adrien Brody Mark Ruffalo Rachel Weisz Rinko Kikuchi

• Approx. Size: 11 x 17 Inches - 28cm x 44cm
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• The Brothers Bloom 11 x 17 Inches Style B Mini Poster
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All their lives, brothers Stephen (Ruffalo) and Bloom (Brody) have perfected the fine art of the con. Now they’re ready for one last spectacular scoreâ€"luring Penelope (Weisz), an eccentric heiress, into an elaborate scheme that takes them around the world. Watch as writer/director Rian Johnson’s (Brick) caper unravels in this brilliant, comedic tale.Writer-director Rian Johnson’s The Brothers Bloom has a lot going for it, like an excellent cast doing good work, fabulous locations, a sumptuou! s look, and some interesting ideas in a genre that’s rife with possibilities. Somehow, though, the film is a whole that’s less than the sum of its parts. We meet siblings Stephen and Bloom, the products of numerous foster homes, at ages 13 and 10, respectively, as they’re starting to develop the skills and savvy that will help them become the full-blown scam-meisters they are when we meet up with them in their thirties (with Mark Ruffalo taking over as Stephen and Adrien Brody as Bloom). It seems Bloom wants to pack it in and live "an unwritten life" free of his brother’s elaborate schemes. But Stephen, who is now accompanied by a sidekick named Bang Bang (Babel’s Rinko Kikuchi, in an amusing, mostly silent performance as what Stephen refers to as "our fifth Beatle"), convinces his younger brother to take part in one last swindle, this one targeting the filthy rich Penelope Stamp (Rachel Weisz), who lives alone in what’s described as the biggest house on ! the eastern seaboard. Penelope’s an oddball, to say the leas! t, havin g overcome a sickly childhood and become a master hobbyist whose skills rage from origami and playing six or eight instruments to riding a unicycle while balancing two chainsaws. Posing as antiquities dealers, the brothers pull her into a scheme that takes the trio all over the world (Greece, Prague, Montenegro, St. Petersburg, Mexico). Needless to say, complications ensue. Penelope turns out to be pretty good at the con game herself; what’s more, we know from the moment Stephen warns Bloom not to fall in love with her that he’ll quickly do exactly that. For sure, The Brothers Bloom has its high points, with surreal touches and amusing moments that help counterbalance its fairly arch overall tone. But in the end, it feels as if Johnson is trying too hard, sacrificing character for cleverness, and it’s the audience--even those who enjoy and are adept at sorting through the various clues and red herrings to figure out what’s supposedly really happening--that fee! ls conned, or at least finds it difficult to care. --Sam GrahamWhen Axton and Aniva Rhyme were three years old, their parents disappeared. There were no letters, no bodies, no explantations of any kind â€" it was as if they had vanished into thin air. All that was left was their car: a crashed vehicle against a willow tree.

Now, thirteen years have passed, and with the curious appearance of a woman with lime-green eyes, Axton and Aniva are drawn back to that same willow. A place awaits them through a veil of foliage, full of plant wonders unlike anything they have ever imagined. The twins will become entwined in Linkroots, entangled with Tanglervines, and shoot through a spore-filled Pumpershroom Festival â€" all in hopes of keeping their family together. And as they unearth secrets about the people who have broken Law Three, and have bizarre plants growing within their bodies, they will discover something else . . .

In the Garden, things are ! never as they seem.When Axton and Aniva Rhyme were three years! old, th eir parents disappeared. There were no letters, no bodies, no explantations of any kind â€" it was as if they had vanished into thin air. All that was left was their car: a crashed vehicle against a willow tree.

Now, thirteen years have passed, and with the curious appearance of a woman with lime-green eyes, Axton and Aniva are drawn back to that same willow. A place awaits them through a veil of foliage, full of plant wonders unlike anything they have ever imagined. The twins will become entwined in Linkroots, entangled with Tanglervines, and shoot through a spore-filled Pumpershroom Festival â€" all in hopes of keeping their family together. And as they unearth secrets about the people who have broken Law Three, and have bizarre plants growing within their bodies, they will discover something else . . .

In the Garden, things are never as they seem.Studio: Uni Dist Corp. (summit) Release Date: 09/29/2009 Rating: Pg13Writer-director Rian Johnson’s The ! Brothers Bloom has a lot going for it, like an excellent cast doing good work, fabulous locations, a sumptuous look, and some interesting ideas in a genre that’s rife with possibilities. Somehow, though, the film is a whole that’s less than the sum of its parts. We meet siblings Stephen and Bloom, the products of numerous foster homes, at ages 13 and 10, respectively, as they’re starting to develop the skills and savvy that will help them become the full-blown scam-meisters they are when we meet up with them in their thirties (with Mark Ruffalo taking over as Stephen and Adrien Brody as Bloom). It seems Bloom wants to pack it in and live "an unwritten life" free of his brother’s elaborate schemes. But Stephen, who is now accompanied by a sidekick named Bang Bang (Babel’s Rinko Kikuchi, in an amusing, mostly silent performance as what Stephen refers to as "our fifth Beatle"), convinces his younger brother to take part in one last swindle, this one target! ing the filthy rich Penelope Stamp (Rachel Weisz), who lives a! lone in what’s described as the biggest house on the eastern seaboard. Penelope’s an oddball, to say the least, having overcome a sickly childhood and become a master hobbyist whose skills rage from origami and playing six or eight instruments to riding a unicycle while balancing two chainsaws. Posing as antiquities dealers, the brothers pull her into a scheme that takes the trio all over the world (Greece, Prague, Montenegro, St. Petersburg, Mexico). Needless to say, complications ensue. Penelope turns out to be pretty good at the con game herself; what’s more, we know from the moment Stephen warns Bloom not to fall in love with her that he’ll quickly do exactly that. For sure, The Brothers Bloom has its high points, with surreal touches and amusing moments that help counterbalance its fairly arch overall tone. But in the end, it feels as if Johnson is trying too hard, sacrificing character for cleverness, and it’s the audience--even those who enjoy and are adept a! t sorting through the various clues and red herrings to figure out what’s supposedly really happening--that feels conned, or at least finds it difficult to care. --Sam GrahamA collection of critical essays on Shakespeare's problematical comedy "Measure for Measure" arranged in chronological order of publication.

Twelfth Night is one of Shakespeare’s funniest plays and also one of his most romantic. A young noblewoman, Viola,  shipwrecked in a foreign land and separated from her twin brother, dresses as a man in order to enter the service of Orsino, duke of Illyria. Complications ensue—deceptions, infatuations, misdirected overtures, malevolent pranks—as everyone is drawn into the hilarious confusion.

The Brothers Bloom reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style B mini poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, posters and more: Offering te! ns of thousands of items to choose from. We also offer a full ! selectio n of framed posters..

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The Fight: Lights Out

• Take control of a rough and tumble bare-knuckle fighter in the campaign mode as you crusade to beat down anyone that stands between you and your shot at becoming the toughest fighter out there
• Unleash a wide arsenal of brutal attacks. Start simple with punches and uppercuts before amping up the intensity with headlocks and overhand blows to the head
• In addition, assault of other dirty fighting techniques using two PlayStation Move motion controllers at once, together with the PlayStation Eye camera
• Feel the action by using the PlayStation Move motion controller as you step into the game and command your fighter?s every movement with lifelike 1:1 motion for deadly precision
• 12 underground fighting venues filled with opponents including bosses with character specific fighting skills and styles that can be transferred to the player character

Small-town boy Shawn M! acArthur (Channing Tatum, G.I. Joe: The Rise of Cobra, Public Enemies) knows firsthand that every day in New York City is a struggle to survive. So when scam artist Harvey Boarden (Terrence Howard, Iron Man, Hustle and Flow) gives him a chance to be something more in the brutal underground world of bare-knuckle street-fighting, Shawn decides that he has something worth fighting for and puts everything on the line to win. Every knockout brings him closer to the life he’s always wanted, but also traps him in a dangerous web he can’t escape.The last thing you might expect from a movie called Fighting is excellent acting, but that’s what you’ll get. A scam artist named Harvey (Terrence Howard) sees a young would-be hustler named Shawn (Channing Tatum, Step Up, Stop-Loss) in a street scuffle and lures him into a no-rules fighting circuit. Shawn’s relentless drive to win leads him to unexpected success, but when he gets put into a big fight with a professional boxer, Ha! rvey asks Shawn to take a dive. The plot sounds like a thousan! d boxing movies, but the difference is all in the texture. Fighting takes place in a very real New York City, with cramped, make-shift apartments, cluttered streets, and seedy nightclubs. Scenes get knocked sideways by odd bits of life and character quirks that feel organic, not shoehorned in by some clever screenwriter. There’s a marvelous scene where Shawn is trying to woo the Puerto Rican waitress he’s smitten with (Zulay Henao, Feel the Noise), but they keep getting interrupted by her suspicious mother--which sounds like a rom-com cliche, but is completely transformed by the wonderfully human interplay among the actors. Howard has always had a magnetic talent, but Tatum reveals an engaging vulnerability that contrasts nicely with his big-slab-of-beefcake look. The movie hearkens back to 1970s classics like Midnight Cowboy and Dog Day Afternoon, and though it doesn’t achieve the same emotional heights, it’s reaching in the right direction. Writer/director Dito Montiel (wh! ose previous film, A Guide to Recognizing Your Saints, also featured Tatum) promises to make some truly memorable movies. --Bret Fetzer

Stills from Fighting (Click for larger image) Small-town boy Shawn MacArthur (Channing Tatum, G.I. Joe: The Rise of Cobra, Public Enemies) knows firsthand that every day in New York City is a struggle to survive. So when scam artist Harvey Boarden (Terrence Howard, Iron Man, Hustle and Flow) gives him a chance to be something more in the brutal underground world of bare-knuckle street-fighting, Shawn decides! that he has something worth fighting for and puts everything ! on the l ine to win. Every knockout brings him closer to the life he’s always wanted, but also traps him in a dangerous web he can’t escape.The last thing you might expect from a movie called Fighting is excellent acting, but that’s what you’ll get. A scam artist named Harvey (Terrence Howard) sees a young would-be hustler named Shawn (Channing Tatum, Step Up, Stop-Loss) in a street scuffle and lures him into a no-rules fighting circuit. Shawn’s relentless drive to win leads him to unexpected success, but when he gets put into a big fight with a professional boxer, Harvey asks Shawn to take a dive. The plot sounds like a thousand boxing movies, but the difference is all in the texture. Fighting takes place in a very real New York City, with cramped, make-shift apartments, cluttered streets, and seedy nightclubs. Scenes get knocked sideways by odd bits of life and character quirks that feel organic, not shoehorned in by some clever screenwriter. There’s a marvelous scene w! here Shawn is trying to woo the Puerto Rican waitress he’s smitten with (Zulay Henao, Feel the Noise), but they keep getting interrupted by her suspicious mother--which sounds like a rom-com cliche, but is completely transformed by the wonderfully human interplay among the actors. Howard has always had a magnetic talent, but Tatum reveals an engaging vulnerability that contrasts nicely with his big-slab-of-beefcake look. The movie hearkens back to 1970s classics like Midnight Cowboy and Dog Day Afternoon, and though it doesn’t achieve the same emotional heights, it’s reaching in the right direction. Writer/director Dito Montiel (whose previous film, A Guide to Recognizing Your Saints, also featured Tatum) promises to make some truly memorable movies. --Bret Fetzer

Stills from Fighting (Click for larger image) Grab your PlayStation Move motion controllers and step into the dark and gritty underground of bare knuckle brawling in The Fight: Lights Out. The power to climb to the top of the underground scene is in your hands. The only rule is that there are no rules - you decide how to take down your next challenger. Get them in a headlock and throw elbows to the skull, or go ballistic by swinging with all-out haymakers. Use the PlayStation Move motion controllers to dominate opponents with accurately tracked strikes. Do you have what it takes to rule the underground?

The most realistic motion controlled fighting game released to date, The Fight: Lights Out for PlayStation 3 challenges! players to conquer the brutal world of illegal underground fighting utilizing the PlayStation Move motion controller and the PlayStation Eye camera peripheral (both sold separately)*. Together these two seamlessly translate the player's realistic physical actions to those of the character on the screen, allowing the players to fight however they choose. Keep it clean with standard jabs and punches, or fight dirty with headbutts, headlocks and more. The choice is yours as you take on 12 fighting venues filled with thugs and bosses and eventually take the fight online to unleash the skills you've learned against live virtual opponents. Fight the Way You Want! with PlayStation Move Grab your PlayStation Move con! trollers and step into the dark and gritty underground of bare knuckle brawling in The Fight: Lights Out. A launch title for the PlayStation Move motion controller, The Fight: Lights Out is a one-on-one fighting game featuring single player and multiplayer play options. Players utilize two Move motion controllers, one for each hand, to accurately track your rapid blows while the PlayStation Eye tracks your head as you duck, evade, outmaneuver and knockout anyone that has the guts to throw down with you. The precision and versatility of the controller/peripheral combo allows you to decide how you want to take down your next challenger. Get them in a headlock and throw elbow drops to the skull, or go ballistic by throwing nonstop haymakers. Fight clean or fight dirty, it’s entirely up to you because there are no rules. Use realistic fighting motions only possible with the PlayStation Move motion controller to become the ultimate street brawler. View larger. Gameplay The Fight: Lights Out features both a local single player career mode and multiplayer, as well as online multiplayer. In career mode players assume the role of an up-and-coming brawler looking to make it in the world of illegal, underground street fighting. Players can customize their character with a preset range of body types and attire, as they prepare themselves to fight their way through the game's 12 venues using the precise and varied capabilities of the PlayStation Move motion controller. Each venue is popul! ated with a variety of opponents that will need to be defeated! , with t he final clash in each fought against a boss. Bosses are different from the lower level fighters that proceed them in that they have particular skills and/or styles that the player will not have encountered in earlier opponents. Once bosses are defeated by the player these styles are incorporated into the player's repertoire, making these skills usable against later fighters in career mode and invaluable as you eventually face live online opponents via PlayStation Network. Key Game Features Take control of a rough and tumble bare-knuckle fighter in the campaign mode as you crusade to beat down all opponents that stand between you and your shot at becoming the toughest fighter out there Feel the action by using two PlayStation Move motion controllers and the PlayStation Eye peripheral as you step into the game and command your fighter’s every movement with lifelike 1:1 motion for deadly precision Unleash a wide arsenal of fighting comb! os, starting simple with punches and uppercuts before amping up the intensity with headlocks and overhand blows to the head and an assault of other dirty fighting techniques Fighter customizable options including physical appearance and attire 12 underground fighting venues filled with opponents including bosses with character specific fighting skills and styles that can be transferred to the player character Online functionality that allows the player to utilize skills acquired during the single player campaign 1:1 motio! n contro l. View larger. Fight clean or dirty. View larger. Single & multiplayer sup! port. View larger. 12 varied fighting venues. View larger. *Two PlayStation Move motion controllers and a PlayStation Eye camera required for play.

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"A Clockwork Orange" iPhone 4 Case by Out of Print Clothing

• Fits iPhone 4 (ATT & Verizon).
• Features classic book cover art.
• Canvas + plastic hard shell
• Access to all buttons.
• Purchase of this case sends one book to a community in need.

“A brilliant novel . . . a savage satire on the distortions of the single and collective minds.” â€"New York Times

“Anthony Burgess has written what looks like a nasty little shocker, but is really that rare thing in English letters: a philosophical novel.” â€"Time

A terrifying tale about good and evil and the meaning of human freedom, A Clockwork Orange became an instant classic when it was published in 1962 and has remained so ever since. Anthony Burgess takes us on a journey to a nightmarish future where sociopathic criminals rule the night. Brilliantly told in harsh invented slang by the novel’s main characte! r and merciless droog, fifteen-year-old Alex, this influential novel is now available in a student edition.

The Norton Critical Edition of A Clockwork Orange is based on the first British edition and includes Burgess’s original final chapter. It is accompanied by Mark Rawlinson’s preface, explanatory annotations, and textual notes. A glossary of the Russian-origin terms that inspired Alex’s dialect is provided to illustrate the process by which Burgess arrived at the distinctive style of this novel.

“Backgrounds and Contexts” presents a wealth of materials chosen by the editor to enrich the reader’s understanding of this unforgettable work, many of them by Burgess himself. Burgess’s views on writing A Clockwork Orange, its philosophical issues, and the debates over the British edition versus the American edition and the novel versus the film adaptation are all included. Related writings that speak to some of the ! novel’s central issuesâ€"youthful style, behavior modificati! on, and art versus moralityâ€"are provided by Paul Rock and Stanley Cohen, B. F. Skinner, John R. Platt, Joost A. M. Meerloo, William Sargent, and George Steiner.

“Criticism” is divided into two sections, one addressing the novel and the other Stanley Kubrick’s film version. Five major reviews of the novel are reprinted along with a wide range of scholarly commentary, including, among others, David Lodge on the American reader; Julie Carson on linguistic invention; Zinovy Zinik on Burgess and the Russian language; Geoffrey Sharpless on education, masculinity, and violence; Shirley Chew on circularity; Patrick Parrinder on dystopias; Robbie B. H. Goh on language and social control; and Steven M. Cahn on freedom. A thorough analysis of the film adaptation of A Clockwork Orange is provided in reviews by Vincent Canby, Pauline Kael, and Christopher Ricks; in Philip Strick and Penelope Houston’s interview with Stanley Kubrick; and in interpretive essays by! Don Daniels, Alexander Walker, Philip French, Thomas Elsaesser, Tom Dewe Mathews, and Julian Petley.

A Selected Bibliography is also included.Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee.

The only American edition of the cult classic novel.

A vicious fifteen-year-old "droog" is the central character of this 1963 classic, whose stark terror was captured in Stanley Kubrick's magnificent film of the same title. In Anthony Burgess's nightmare vision of the future, where criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology. A Clockwork Orange is a frightening fable about good and evil, and the meaning of human freedom. When the state undertakes to reform Alexâ€"to "redeem" himâ€"the novel asks, "At what cost?" This edition includes the controversial last chapter not published in th! e first edition and Burgess's introduction "A Clockwork Orange! Resucke d."

The only American edition of the cult classic novel.

A vicious fifteen-year-old "droog" is the central character of this 1963 classic, whose stark terror was captured in Stanley Kubrick's magnificent film of the same title. In Anthony Burgess's nightmare vision of the future, where criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology. A Clockwork Orange is a frightening fable about good and evil, and the meaning of human freedom. When the state undertakes to reform Alexâ€"to "redeem" himâ€"the novel asks, "At what cost?" This edition includes the controversial last chapter not published in the first edition and Burgess's introduction "A Clockwork Orange Resucked."Bringing together new and critically informed essays about one of the most controversial films ever made, this collection of writings examines the literary origins of the work, ! the nature of cinematic violence, questions of gender and the film's treatment of sexuality, as well as the difficulties of adapting an invented language ("nadsat") for the screen. The volume also includes two contemporary and conflicting reviews by Roger Hughes and Pauline Kael, a detailed glossary of "nadsat" and reproductions of stills from the film.Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee.Books should always be part of the conversation. Canvas-wrapped iPhone cases with cover art from your favorite classics and fun literary interpretations. From the horrorshow 1972 Penguin softcover by David Pelham.

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Dark Passage (Keepcase)

• Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry, a prison escapee framed for murder who emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomou

Agnes and his brothers have little in common except an eccentric father, relationship problems that are totally screwing up their lives, and a distinct possibility those two things are connected. Sex addict /meek librarian Hans-Jörg can't stop peeping on comely women. Werner, a successful politician, watches powerlessly as his bored wife and smartass son destroy their family. And Agnes, a transsexual, can't quite fit into the mold of happy homemaker expected by her bossy boyfriend. An outrageous ! story of how everyday desires for sex, love and understanding can end up pushing people closer and closer to the edge.Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on German drama films.Chicago White Sox pitcher Monty Stratton is an affable long drink of water with an easy, whiplike delivery and a pitch so unhittable the young phenom racks up consecutive 15-win seasons. But Stratton's greatest victory doesn't come on the manicured green diamonds of our national pastime. James Stewart po! rtrays Stratton, who loses a leg in an accident just as his ca! reer is on the rise...and whose triumph over despair and disability leads him to pitch again. Stewart signed on for the role when he realized the film would be an inspiration to injured World War II GIs. The film still inspires. Awarded an Oscar?* for Best Motion Picture Story, directed by Sam Wood (The Pride of the Yankees) and supported by a top cast that includes real-life ballplayers, The Stratton Story is sports biography at its best.James Stewart and June Allyson enjoyed one of their gee-whiz pairings in The Stratton Story, a baseball biopic with an easy swing. Stewart plays Monty Stratton, who, according to the film, is a country boy plowing the back forty when a transient scout (Frank Morgan) discovers him and hooks him up with the Chicago White Sox. Stratton has a couple of great years, only to be accidentally shot in a hunting accident, which results in his leg being amputated. If you think this is the end of the story, you might want to check the fact that The S! tratton Story was one of the biggest box-office hits of 1949. The film rests on director Sam Wood's eye for outdoors American spaces--a country road, small-time baseball parks--and on the can-do chemistry of Stewart and Allyson, whose first teaming this was. (The Glenn Miller Story and Strategic Air Command would follow.) Audiences adored the lanky Stewart playing off the tiny, low-voiced, indomitably perky Allyson, even if the material is as programmed as a studio pitch meeting. Lovers of nostalgic baseball pictures won't have any problem with the cornball script (a few big-league cameos pass by, notably Bill Dickey). Agnes Moorehead is Stratton's down-home Maw, though she's mostly restricted to a backlot farmhouse. It won an Oscar for best original story, back when they gave Oscars for that. --Robert HortonBogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey B! ogart and Lauren Bacall made together. Bogart is Vincent Parry! , a pris on escapee framed for murder who emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable, and they augment it here with exceptional tenderness. Exceptional, too, are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas, the post-surgery Vincent tells her: "Don't change yours. I like it just as it is." So do we. - 1947This gimmicky film noir stars Humphrey Bogart as an escaped criminal who undergoes plastic surgery and holes up at the home of Lauren Bacall's character while healing and preparing to prove his innocence. If you can last through the first half-hour of this thing--which is shot entirely from the subjective view of Bogart's bandaged face, which w! e don't see until later--you might find ample reason in the stars' performances to stick around for the conclusion. But director Delmer Daves (A Summer Place) tests a viewer's endurance with such an obvious, attention-getting ploy. The least of the Bogart-Bacall vehicles (The Big Sleep,To Have and Have Not, Key Largo). --Tom Keogh

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Ever After - A Cinderella Story

• Features include: -MPAA Rating: PG-13 -Format: DVD-Runtime: 121 minutes

A "modern" young woman of the 16th century, Danielle (Barrymore) is as independent and wise as she is beautiful and kind. Against remarkable odds, she stands up to her scheming stepmother (Huston) and works miracles on the lives of everyone around her, including the crown prince of France (Dougray Scott)!Now you can relive this captivating, contemporary retelling of the classic fairytale.Take away the Fairy Godmother, and what have you got left from the Cinderella fable? The story of a girl for whom a bad stroke of luck is no match for her internal strength and purity of heart. Drew Barrymore plays Cinderella's alleged inspiration, Danielle, in this romantic drama that purports to tell the "facts" behind the Grimm brothers' story. One of three daughters of a man (Jeroen Krabbé) who dies and leaves her fate in the hands ! of a conniving stepmother (Anjelica Huston), Danielle is cast into the lowly role of a servant. Meanwhile, her sisters are evaluated as possible mates for a French prince (Dougray Scott), but he's far more intrigued with Danielle's intelligence and beauty--not to mention her way with a sword and fist. Directed by Andy Tennant (who directed Barrymore in TV's The Amy Fisher Story), Ever After has that rare ability to win the heart and mind of a viewer simply by being committed to its own innocence, particularly where Barrymore's luminous performance is concerned. A contemporary take on an old, virtually forgotten Hollywood convention--the costume adventure with middling artistic ambition but real audience appeal--Ever After is a surprisingly delightful film. --Tom Keogh
!

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Pink Angel Girls 2-6x Fringe Edge Sweater, Silk Pink, 6X

• Cable knit
• Fringe

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Black Hawk Down [Blu-ray]

• Condition: New
• Format: Blu-ray
• Anamorphic; Color; Dolby; Subtitled; Widescreen

From acclaimed director Ridley Scott (Gladiator, Hannibal) and renowned producer Jerry Bruckheimer (Pearl Harbor, Armageddon) comes a gripping true story about bravery, camaradarie and the complex reality of war. Black Hawk Down stars an exceptional cast including Josh Hartnett (Pearl Harbor), Ewan McGregor (Moulin Rouge!), Tom Sizemore (Saving Private Ryan), Eric Bana (Chopper), William Fichtner (The Perfect Storm), Ewen Bremner (Snatch) and Sam Shepard (All The Pretty Horses). In 1993, an elite group of American Rangers and Delta Force soldiers are sent to Somalia on a critical mission to capture a violent warlord whose corrupt regime has lead to the starvation of hundreds of thousands of Somalis. When the mission ! goes terribly wrong, the men find themselves outnumbered and literally fighting for their lives.Ridley Scott's Black Hawk Down conveys the raw, chaotic urgency of ground-force battle in a worst-case scenario. With exacting detail, the film re-creates the American siege of the Somalian city of Mogadishu in October 1993, when a 45-minute mission turned into a 16-hour ordeal of bloody urban warfare. Helicopter-borne U.S. Rangers were assigned to capture key lieutenants of Somali warlord Muhammad Farrah Aidid, but when two Black Hawk choppers were felled by rocket-propelled grenades, the U.S. soldiers were forced to fend for themselves in the battle-torn streets of Mogadishu, attacked from all sides by armed Aidid supporters. Based on author Mark Bowden's bestselling account of the battle, Scott's riveting, action-packed film follows a sharp ensemble cast in some of the most authentic battle sequences ever filmed. The loss of 18 soldiers turned American opinion against f! urther involvement in Somalia, but Black Hawk Down make! s it cle ar that the men involved were undeniably heroic. --Jeff Shannon Ridley Scott's Black Hawk Down conveys the raw, chaotic urgency of ground-force battle in a worst-case scenario. With exacting detail, the film re-creates the American siege of the Somalian city of Mogadishu in October 1993, when a 45-minute mission turned into a 16-hour ordeal of bloody urban warfare. Helicopter-borne U.S. Rangers were assigned to capture key lieutenants of Somali warlord Muhammad Farrah Aidid, but when two Black Hawk choppers were felled by rocket-propelled grenades, the U.S. soldiers were forced to fend for themselves in the battle-torn streets of Mogadishu, attacked from all sides by armed Aidid supporters. Based on author Mark Bowden's bestselling account of the battle, Scott's riveting, action-packed film follows a sharp ensemble cast in some of the most authentic battle sequences ever filmed. The loss of 18 soldiers turned American opinion against further involvement in Soma! lia, but Black Hawk Down makes it clear that the men involved were undeniably heroic. --Jeff ShannonFrom acclaimed director Ridley Scott (Gladiator, Hannibal) and renowned producer Jerry Bruckheimer (Pearl Harbor, Armageddon) comes a gripping true story about bravery, camaradarie and the complex reality of war. Black Hawk Down stars an exceptional cast including Josh Hartnett (Pearl Harbor), Ewan McGregor (Moulin Rouge!), Tom Sizemore (Saving Private Ryan), Eric Bana (Chopper), William Fichtner (The Perfect Storm), Ewen Bremner (Snatch) and Sam Shepard (All The Pretty Horses). In 1993, an elite group of American Rangers and Delta Force soldiers are sent to Somalia on a critical mission to capture a violent warlord whose corrupt regime has lead to the starvation of hundreds of thousands of Somalis. When the mission goes terribly wrong, the men find themselves outnumbered and literally fighting for t! heir lives.Ridley Scott's Black Hawk Down conveys the r! aw, chao tic urgency of ground-force battle in a worst-case scenario. With exacting detail, the film re-creates the American siege of the Somalian city of Mogadishu in October 1993, when a 45-minute mission turned into a 16-hour ordeal of bloody urban warfare. Helicopter-borne U.S. Rangers were assigned to capture key lieutenants of Somali warlord Muhammad Farrah Aidid, but when two Black Hawk choppers were felled by rocket-propelled grenades, the U.S. soldiers were forced to fend for themselves in the battle-torn streets of Mogadishu, attacked from all sides by armed Aidid supporters. Based on author Mark Bowden's bestselling account of the battle, Scott's riveting, action-packed film follows a sharp ensemble cast in some of the most authentic battle sequences ever filmed. The loss of 18 soldiers turned American opinion against further involvement in Somalia, but Black Hawk Down makes it clear that the men involved were undeniably heroic. --Jeff Shannon Ridley Scott's ! Black Hawk Down conveys the raw, chaotic urgency of ground-force battle in a worst-case scenario. With exacting detail, the film re-creates the American siege of the Somalian city of Mogadishu in October 1993, when a 45-minute mission turned into a 16-hour ordeal of bloody urban warfare. Helicopter-borne U.S. Rangers were assigned to capture key lieutenants of Somali warlord Muhammad Farrah Aidid, but when two Black Hawk choppers were felled by rocket-propelled grenades, the U.S. soldiers were forced to fend for themselves in the battle-torn streets of Mogadishu, attacked from all sides by armed Aidid supporters. Based on author Mark Bowden's bestselling account of the battle, Scott's riveting, action-packed film follows a sharp ensemble cast in some of the most authentic battle sequences ever filmed. The loss of 18 soldiers turned American opinion against further involvement in Somalia, but Black Hawk Down makes it clear that the men involved were undeniably ! heroic. --Jeff Shannon

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Transcend 32 GB microSDHC Flash Memory Card TS32GUSDHC4E [Amazon Frustration-Free Packaging]

• Compatible with today's most popular cell phones and portable devices
• Includes a full size SD adapter for multi-use or data transfer
• Exceptional durability of 10,000 insertion and long-life data retention
• Limited lifetime Warranty, the data host you can trust
• Ships in Certified Frustration-Free Packaging
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Part 3 of the Touchstone Trilogy.

Cassandra Devlin doesn’t know what she's for. But she knows she's running out of time.

Since Cass was rescued from the abandoned world of Muina, the Aussie teen has proven more than useful to the people of Tare. Expeditions to their home world no longer end in slaughter. The teaching city of Kalasa has been unlocked. After years of se! arching for answers, they are starting to make progress.

But space is tearing itself apart. Ionoth attack in ever-greater numbers. And "the useful stray" has been injured so many times that the Tarens hesitate to use her for fear of losing her.

With one particular Taren now her most important person, Cass is determined to contribute everything she can, and hopes to find some answers of her own. What is the link between Muina and Earth? Why are the reclusive Nurans so interested in 'rescuing' her? And what role in the crisis do the inhuman Cruzatch play?

Can Cass keep herself together long enough to find out?
Part 3 of the Touchstone Trilogy.

Cassandra Devlin doesn’t know what she's for. But she knows she's running out of time.

Since Cass was rescued from the abandoned world of Muina, the Aussie teen has proven more than useful to the people of Tare. Expeditions to their home world no longer end in slaughter. The teaching! city of Kalasa has been unlocked. After years of searching fo! r answer s, they are starting to make progress.

But space is tearing itself apart. Ionoth attack in ever-greater numbers. And "the useful stray" has been injured so many times that the Tarens hesitate to use her for fear of losing her.

With one particular Taren now her most important person, Cass is determined to contribute everything she can, and hopes to find some answers of her own. What is the link between Muina and Earth? Why are the reclusive Nurans so interested in 'rescuing' her? And what role in the crisis do the inhuman Cruzatch play?

Can Cass keep herself together long enough to find out?
SDHC Class 4 and SD 2.0 compliant, a speed of 4MB/s is guaranteed

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Doomsday (Unrated Full Screen Edition)

• UNRATED. Includes R-Rated Theatrical Version too.
• Anatomy of Catastrophe: Civilization on the Brink - a "making of" featurette
• The Visual Effects and Wizardry of Doomsday - meet the visual effects wizards
• Devices of Death: Guns, Gadgets and Vehicles of Destruction
• Feature commentary with director Neil Marshall and cast members Sean Pertwee, Darren Morfitt, Rick Warden and Les Simpson (offered on Unrated Feature only)

From the director of The Descent comes an action-packed thrill-ride through the beating heart of hell! To save humanity from an epidemic, an elite fighting unit must battle to find a cure in a post-apocalyptic zone controlled by a society of murderous renegades. Loaded with ferocious fights and high-octane chases, Doomsday grabs you right from the start, and doesn't let go till its explosive end! Loud, violent, and proudly derivative, the post-a! pocalyptic action-thriller Doomsday is the latest from UK cult director Neil Marshall, who impressed horror fans with his previous efforts, Dog Soldiers and The Descent. Both pictures established Marshall as a director with a knack for reinventing well-worn genre pictures, but here, he seems more interested in stitching together favorite scenes and elements from established horror and science-fiction films. Escape from New York is the main source for Doomsday, though there are plenty of nods to The Road Warrior and its multitude of Italian-made carbon copies, as well as the zombie/plague subgenre; the lovely but impassive Rhona Mitra is the Snake Plissken-esque loner sent by police (represented by Bob Hoskins) to infiltrate Scotland, which has descended into anarchy following a viral outbreak. The disease has surfaced in London (now a walled city), and Mitra is dispatched to find a scientist who may possess a cure. Marshall's vision! of Scotland in ruins brings together the punk/modern primitiv! e costum e design of George Miller's Mad Max trilogy with some eclectic homegrown elements (knights on horseback defending a gang leader's castle), and while these touches are novel, the picture as a whole should ring overly familiar to any viewer who's spent time in the exploitation trenches during the past 25 years. Younger and less discerning audience members will undoubtedly enjoy the plentiful violence and gore, as well as the unbridled performances of the supporting cast, especially stuntwoman/actress Lee-Ann Liebenberg as the heavily tattooed Viper. --Paul Gaita

Beyond Doomsday on DVD

More from Universal Studios

Doomsday on Blu-ray

More from Director Neil Marshall

Stills from Doomsday (Click for larger image)

From the director of The Descent comes an action-packed thrill-ride through the beating heart of hell! To save humanity from an epidemic, an elite fighting unit must battle to find a cure in a post-apocalyptic zone controlled by a society of murderous renegades. Loaded with ferocious fights and high-octane chases, Doomsday gra! bs you right from the start, and doesn't let go till its explosive end!Loud, violent, and proudly derivative, the post-apocalyptic action-thriller Doomsday is the latest from UK cult director Neil Marshall, who impressed horror fans with his previous efforts, Dog Soldiers and The Descent. Both pictures established Marshall as a director with a knack for reinventing well-worn genre pictures, but here, he seems more interested in stitching together favorite scenes and elements from established horror and science-fiction films. Escape from New York is the main source for Doomsday, though there are plenty of nods to The Road Warrior and its multitude of Italian-made carbon copies, as well as the zombie/plague subgenre; the lovely but impassive Rhona Mitra is the Snake Plissken-esque loner sent by police (represented by Bob Hoskins) to infiltrate Scotland, which has descended into anarchy following a viral outbreak. The disease has surfa! ced in London (now a walled city), and Mitra is dispatched to ! find a s cientist who may possess a cure. Marshall's vision of Scotland in ruins brings together the punk/modern primitive costume design of George Miller's Mad Max trilogy with some eclectic homegrown elements (knights on horseback defending a gang leader's castle), and while these touches are novel, the picture as a whole should ring overly familiar to any viewer who's spent time in the exploitation trenches during the past 25 years. Younger and less discerning audience members will undoubtedly enjoy the plentiful violence and gore, as well as the unbridled performances of the supporting cast, especially stuntwoman/actress Lee-Ann Liebenberg as the heavily tattooed Viper. --Paul Gaita

Beyond Doomsday on DVD

More from Universal Studios

Doomsday on Blu-ray

More from Director Neil Marshall

Stills from Doomsday (Click for larger image)

From the director of The Descent comes an action-packed thrill-ride through the beating heart of hell! To save humanity from an epidemic, an elite fighting unit must battle to find a cure in a post-apocalyptic! zone controlled by a society of murderous renegades. Loaded with ferocious fights and high-octane chases, Doomsday grabs you right from the start, and doesn't let go till its explosive end!Loud, violent, and proudly derivative, the post-apocalyptic action-thriller Doomsday is the latest from UK cult director Neil Marshall, who impressed horror fans with his previous efforts, Dog Soldiers and The Descent. Both pictures established Marshall as a director with a knack for reinventing well-worn genre pictures, but here, he seems more interested in stitching together favorite scenes and elements from established horror and science-fiction films. Escape from New York is the main source for Doomsday, though there are plenty of nods to The Road Warrior and its multitude of Italian-made carbon copies, as well as the zombie/plague subgenre; the lovely but impassive Rhona Mitra is the Snake Plissken-esque loner sent by police (represented by! Bob Hoskins) to infiltrate Scotland, which has descended into! anarchy following a viral outbreak. The disease has surfaced in London (now a walled city), and Mitra is dispatched to find a scientist who may possess a cure. Marshall's vision of Scotland in ruins brings together the punk/modern primitive costume design of George Miller's Mad Max trilogy with some eclectic homegrown elements (knights on horseback defending a gang leader's castle), and while these touches are novel, the picture as a whole should ring overly familiar to any viewer who's spent time in the exploitation trenches during the past 25 years. Younger and less discerning audience members will undoubtedly enjoy the plentiful violence and gore, as well as the unbridled performances of the supporting cast, especially stuntwoman/actress Lee-Ann Liebenberg as the heavily tattooed Viper. --Paul Gaita

Beyond Doomsday on DVD

More from Universal Studios

Doomsday on Blu-ray

More from Director Neil Marshall

Stills from Doomsday (Click for larger image)

Read more »